This sculpture from a stupa at Nagapattinam provides important artistic evidence of Chinese and Southeast Asian connections with India. An inscription records that a Chinese king constructed a stupa for Chinese traders, who arrived here during the reign of the Pallava king, Narsimavarman II (690–720 CE). Marco Polo observed this inscription in the 13th century. Though the characteristics of the Buddha standing on a double-inverted lotus are familiar, the rendering reveals foreign influences. The most remarkable feature is the flame-like ushnisha above the hair. Variations in the depiction of both hands, raised in the abhaya and the chintana mudra near the waist, are a distinct Southeast Asian feature. The image was probably gilded. The artist could have been Indian or Javanese.
Gift from the Collection of Smt. Amaravati Gupta.
10th century CE
Nagapattinam, Tanjavur District, Tamil Nadu
60.8 x 19 cms