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Impasto
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Object Type
Oil Painting
Collection Type
Indian Paintings
Material
Canvas
Oil
Technique
— Impasto
Die-struck technique
Gouache on paper
--
shōtai shippō
Aari embroidery (chain-stitch embroidery)
Applique
Aquatint
Ari Embroidery
Batik
Bead work
Bidri
Block-print
Brocade
Bronze casting
Cameo glass
Casting and repousse
Chain stitch embroidery on cloth
Chain-link, gilding
Cloisonné
Cloissone
Cloth Painting
Crochet
Crocheting
Damascene
Damascene work
Die Struck
Embroidery
Embroidery in satin stitch, seed-pearl stitch.
Enamel
Enamelling
Enamelling or Minakari on brass
Engraving
Etching
Filigree
Fossilisation
Glass painting
Gold damascene
GOUACHE
Granulation, twisted wire
Hand embroidered
Impasto
Indian Miniature painting
Inscribed on marble
Ivory and mother of pearl inlay on wood
Ivory Carving
Ivory carving, inlay
Jade carving
Jari embroidery
Kalamkari
Kundan
Kundan, minakari, enamel
Lacquer
Lacquer work
Lacquering
Lapidary
Lapidiary, pietra-dura
Line Drawing
Litho Press Printing
Lithograph
Lost Wax
Lost wax process
Lost wax technique
Maki-e
Marble carving
Metal Casting
Mica
Mica painting
Miniature Painting
Mould Casting
Moulding
Moulding and casting
Nashiji
Oil on canvas
Oil on wood
Oil painting
Oil painting, Cubism
Oil paintings
Painting on ivory
Painting on paper
Painting on wood
Painting on wooden panel
Perforation
Punchmarked
Rawa kam (granulation) and gokhru kam (thorn work)
Relief
Repousse
Repousse work
Skeleton preparation
Stone carving
Takamakiye
Taxidermy
Taxidermy, Moulding and casting
Tempera painting
Thangka painting
Thanjavur
Thanjavur Painting
Thewa
Thewa work
Watercolour painting
Weaving
Wheel pottery
Wood carving
Woodblock
Woodblock printing
Wooden carvings
Zardozi
Zardozi embroidery on silk
Culture/Period/School
Bombay School
Location
Maharashtra
Mumbai
Date
1900-present
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Portrait of A. R. Leyden’s Mother
Indian Paintings
CHHATRAPATI SHIVAJI MAHARAJ VASTU SANGRAHALAYA
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